Origin / One way through the Archive
KRYSSELLE DID NOT BEGIN WITH A COLLECTION.
It arrived in fragments: a pair of jeans that did not fit, a printer and transfer paper, a jewellery project that never launched, crystals, Crete, a beetle found on the ground, and two paths crossing again.
- 012020—2021
GARMENT STUDY
THE JEANS
At 205 centimetres, Jeremy could not find jeans that fit. A second-hand pair and his grandmother’s textile knowledge changed the way he understood when a garment was finished.
OPEN FILE ↗︎ - 022021—2023
PREVIOUS PROJECT
PHILIPPE COUTURE
Photoshop, home transfer paper, clothes for friends, Printify and a first Copenhagen shoot. There was a website. Jeremy’s mother bought two T-shirts. The work still did not feel physical enough.
OPEN FILE ↗︎ - 032023—2024
ARCHIVE NOTE
OTHER DIRECTIONS
Fashion moved into the background while music took more of Jeremy’s attention. Identity, visual recognition and worldbuilding remained active questions.
Public note / no separate file - 04LATE 2024 / EARLY 2025
ABANDONED PROJECT
GLIZN
A jewellery project moved through stones, suppliers and plans for a Valentine’s Day launch. It never launched. The crystal vocabulary stayed.
OPEN FILE ↗︎ - 05MARCH / 2025
ORIGIN FILE
CRETE
Around Chania, markets, opals and crystals sharpened an interest in material that was natural, irregular and found.
VIEW MATERIAL ↗︎ - 06CRETE / 2025
FOUND OBJECT
THE JEWEL BEETLE
A beetle found on the walk home from a market became KRYSSELLE’s first symbol. It is no longer the primary mark, but it remains part of the origin.
OPEN FILE ↗︎ - 072025
NAMING STUDY
NAMING KRYSSELLE
Crystal became sound, and sound became a name. KRYSSELLE was not discovered. It was constructed.
OPEN FILE ↗︎ - 08SPRING / SUMMER 2025
MATERIAL STUDY
BACK TO CLOTHING
Cyanotype, plants, sunlight and bleach shifted the question from artwork placed on clothing to the garment itself as part of the artwork.
VIEW MATERIAL ↗︎ - 09AUGUST / 2025
SHARED ORIGIN
TWO PATHS CROSS AGAIN
After years with almost no contact, Mary found Jeremy again through the KRYSSELLE work he was posting. Her own craft practice met a project already in motion.
OPEN FILE ↗︎ - 10LATE 2025
FIELD NOTE
FIELD RESEARCH
London and Milan were read on foot: stores, museums, beadwork, windows, menus, printed ephemera and the small systems that make a world coherent.
FROM THE ARCHIVE ↗︎ - 11COPENHAGEN / 2026
PREVIOUS MARK
THE OLD MARK
An ordinary encounter with another insect symbol made the limits of a generic beetle mark concrete. The beetle moved from identity to archive.
OPEN FILE ↗︎ - 12CURRENT
CURRENT
NOW
Clothing remains central. The surrounding world joins garment, object, image, material, archive, memory, research and story.
VIEW CURRENT MARK ↗︎
Retrospective framing
THE QUESTION CHANGED.
- THEN
- How can I put my artwork on clothing?
- LATER
- How can the garment itself become part of the artwork?
- NOW
- How can we build a complete world where garment, object, image, archive, material and story belong to the same place?